Box 30
Contains 40 Results:
Concerto No 1 for violin and orchestra (1967), Gustave Rosseels, violin; Theo Alcantara, conductor, 10/18/1968
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No 1 'Concertante' (1966), Katims, conductor?, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No 3 'Lamentations', n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No. 2 'Antiphons', Ohio University Wind Ensemble, Adrian Gnam, oboe; Thomas Lee, conductor, Kennedy Center, Washington D.C., 5/1/1973
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No3 "Lamentations" , College Symphony Orchestra, John Farrer, conductor, Little theater, California State College, Fullerton, 12/10/1971
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Violin Concerto No 2 (1980-82), L'Orchestre Philharmonique de Monte Carlo, Patterson, violin, Foster, conductor, 4/17/1983
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Four Impromptus for Alto Saxophone and piano (1983), Duo Vivo, Laura Hunter, saxophone, Brian Connelly, piano, Syzygy Concert, 10/30/1984
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No 5 'Umbrae' (1973), premiere, The Shepherd Quartet, Ronald Patterson, Raphael Fliegel, Wayne Crouse, Shirley Trepel, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Requiem for organ and percussion (1978), n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Sinfonia for winds, University of Maryland Band, Acton Ostling, conductor, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.