Box 27
Contains 49 Results:
Concerto for Saxophone, Florida State University School of Music, Festival of New Music, April, 1993
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Concerto for Saxophone and Winds, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Double Concerto (1985-87), American Premiere, Duo Patterson, L'Orchestre Philharmonic de Monte Carlo, Lawrence Foster, conductor, 4/22/1988
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Double Concerto (Composer's note: head missing) (1985-87), n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Love Songs and Dances (1987), Cleveland chamber symphony, Edwin London, conductor, Concert, 10/1/1990
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Love Songs and Dances (1987), Cleveland chamber symphony, Edwin London, conductor, Recording session, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Love Songs and Dances (1987), Cleveland chamber symphony, Edwin London, conductor, Recording session, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Canti (1981), NYC Premiere, Crouse, Gates, 5/26/1987
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Canti for viola and pianoforte [Composer's note: Defective tape, bad hum and quits], n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Canzona, Shepherd School Brass Ensemble, Stude Hall, Rice University , 1/31/1994
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.