Box 29
Contains 41 Results:
String Quartet No 6, N.B. Includes performance notes by the composer, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 6, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 6, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 6 (premiere), n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Three piano sonatas, USC Retro, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Cantigas (1972), premiere, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Cantigas for Double Chorus and Orchestra, Chorale and Chamber Singers, Concert Orchestra of CCM, Elmer Thomas, conductor , n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Cantigas for Double Chorus and Orchestra (1972), Commissioned by James Riley for Ruth Riley, Elmer Thomas Conducting, Kathy Battle, soprano solo, Concert Orchestra and Chamber Singers of the College-Conservatory of Music, University of Cincinatti, University of Cincinnati, Januray, 1973, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Credo for double chorus and orchestra , Text of C.E.Cooper (1970), premiere, The Chamber Choir, Chorale and the Philharmonia Orchestra, Elmer Thomas, conductor , Cincinnati, OH, April, 1971, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Four Songs, USC Retro, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.