Box 29
Contains 41 Results:
Quartet No 6 "early rehearsal", n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No 6 (1977), The Shepherd Quartet, Hamman Hall, Rice University, SYZYGY: Retrospective: Chamber Music of Paul Cooper. , 11/30/1978
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No. 2, USC Retro, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No. 3 (1959), The Stanley Quartet, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Soliloquies for violin and piano (1972), Ronald Patterson, violin, Anne Schnoebelen, piano, Hamman Hall, Rice University, SYZYGY: Retrospective: Chamber Music of Paul Cooper. , 11/30/1978
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Sonata a Tre, The Shepherd Quartet , Ronald Patterson, violin, Raphael Fliefel, Violin, Wayne Crouse, Viola, Shirley Trepel, cello, 9/21/1975
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 4 (1964), West Point String Quartet, Performed at School of Music Recital Hall, Greenville, N.C. 27834, East Carolina University Festival, 1970, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 5, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 5, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
String Quartet No 5 (Umbrae), The Shepherd Quartet, Ronald Patterson, violin, Raphael Fliegel, violin, Wayne Crouse, viola, Shirley Trepel, cello, 9/21/1975
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.