Box 29
Contains 41 Results:
Antiphonal Concerto, USC Retro, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Descants, L.A.Festival Chamber Orchestra, Milton Thomas, viola, Authur Weisberg, conductor, Schoenberg Hall, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Liturgies (premiere), University of Cincinnati Wind Ensemble, Robert H. Wojciak, conductor, University of Cincinnati, College-Conservatory of Music, Corbett Auditorium, N.B. Includes concert program, 4/25/1971
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony in Two Movements, [Note from composer: bad hum, use other one], 9/12/1983
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No 4 (Landscape), Houston Symphony Orchestra , Samuel Jones, conducting, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Symphony No 4 (Landscape), Houston Symphony Orchestra , Samuel Jones, conductor, 9/19/1975
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Epitaphs, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Kammarmusik by Paul Cooper, Produced by Radiohuset, Studio 2, Musikhogskolan I Stockholm, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No 5 (Umbrae), The Shepherd Quartet, n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.
Quartet No 5, (work tape), n.d.
Paul Cooper’s papers document his professional career as a composer, music critic, author and teacher, at Rice University, University of Michigan, and University of Cincinnati. Formats include correspondence, compositions, course notes and outlines, photographs, notes, performance, programs, and sound recordings; dates range from 1943-1995.