Box 1
Contains 15 Results:
Diary, CV, correspondence, 1961 - 1970
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Programs and publicity, concerts and palys, 1965 - 1970
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Travel to music schools, 1969 - 1971
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Acoustics
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
1999 Society for Music Perception and Cognition conference
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
International Symposium on the Neuroscience of Music talk, Nigata, Japan, 1999
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
International Symposium on the Neuroscience of Music talk for editing, Jan. 2000
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Readings/ research by others – music perception
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Brainscanning research
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.
Readings/ research by others - relationship of science and music
This collection consists of materials used and created by Michael Hammond following his interests in acoustics; music perception; neuroscience and music; and two musicians, Irving Schwerke (who taught Hammond) and Josquin Desprez (the subject of a course Hammond taught). It includes the keynote address he gave at the 1999 International Symposium on the Neuroscience of Music in Nigata, Japan.